Instructor: Dr. Daniel W. Skubik, PhD JD MDiv
Office: J266 /
2:00-6:30PM Tuesdays & by app’t
Voice: 951.343.4288 / Fax: 951.343.4520
Web: http://www.calbaptist.edu/dskubik
E-Mail: dskubik@calbaptist.edu

 


Honors Seminar II

Constructing Reality: Braiding Math, Music & Art

Hon 150 (Main Campus)

Tuesdays,
6:30 – 9:30pm

California Baptist University
Spring Semester, 2007

 

This seminar is the second in a series of eight CBU Honors Program seminars that will investigate ideas systematically, progressively and in interdisciplinary fashion.  All eight seminars of any single cycle will be thematically linked, so that students will have the opportunity for intensive, focused study from historical, philosophical, religious, sociological, political, literary, economic and scientific/technological perspectives.

 

The guiding theme for our cycle, and so for this seminar, is “reality.” By the end of the semester, students should grasp the fundamental associations of the term “reality” across the academic disciplines; understand the development and use of categories of thought generated by the theme of reality; and be able to demonstrate how to identify and analyze the presence or absence of reality discourse in primary and secondary academic materials and literary works.

 

As developing scholars in the CBU Honors Program, students will

·        learn how academic disciplines organize around key generative ideas;

·        begin and develop personal academic journaling;

·        appreciate the broad impact of reality across the disciplines;

·        learn what academic research and research writing requires; and

·        become sensitive to diverse disciplinary perspectives.

 

More specifically with regard to this seminar on constructing reality, students will be introduced to and begin investigating foundational dimensions of reality that link mathematics, music and art. Particular focus will be given key terms such as intelligence, spontaneous organization, and cross- and self-referencing aspects and tensions in reality discourse.

 

Required Texts

 

Douglas R. Hofstadter, Gödel, Escher, Bach: An Eternal Golden Braid (Basic Books, 1999/1979).  [Twentieth-anniversary edition recommended, but any printing will suffice.]


Website pages for online viewing and hardcopy handouts will be referenced throughout the term, contents of which you also will be responsible.

 

Class Readings & Discussion Schedule

  Week #1
  (Jan 16)

  Introduction to course, requirements and expectations
  Discussion of Overview (viii-xiii) and Introduction (3-32)
  [First journal entry due by midnight Sunday, Jan 21]

  Week #2
  (Jan 23 ) 

  Discussion of chapters I-II (33-63)
  Meaning & Form  [2nd journal due]

  Week #3 
  (Jan 30)

  Discussion of chapters III-IV (64-126)
  Completeness  [3rd journal due]

  Week #4
  (Feb 6)

  Discussion of chapters V-VI (127-180)
  Recursion & Meaning  [4th journal due]

  Week #5
  (Feb 13)

  Discussion of chapters VII-VIII (181-245)
  Number Theory  [5th journal due]

  Week #6
  (Feb 20) 

  No face-to-face class meeting
 

  Week #7
  (Feb 27)

  Discussion of chapters IX-X (246-336)
  Computer Systems  [6th journal due]

  Week #8
  (Mar 6) 

  Discussion of chapters XI-XII (337-405)
  Brains & Minds  [7th journal due]

  Week # 9
  (Mar 13)

  Discussion of chapters XIII-XIV (406-464)
  Formal Undecidability  [8th journal due]
  Latest date for clearing research topic for group project

  Week #10
  (Mar 20)

  Spring Break

  Week #11
  (Mar 27)

  Discussion of chapters XV-XVI (465-558)
  Self-reference  [9th journal due]
  Deadline to earn  10% bonus for Individual Critique Essay



  Week #12
  (Apr 3)

  Discussion of chapters XVII-XVIII (559-640)
  AI Retrospects  [10th journal due]

  Week #13
  (Apr 10)

  Discussion of chapters XIX-XX (641-742)
  AI Prospects

  Week #14
  (Apr 17)

  Group Presentations

  Week #15
  (Apr 24)

  Group Presentations
  Deadline to earn  5% bonus for Individual Critique Essay

  Week #16
  (May 1)

  Final Exam Period (as set by University)
  Deadline for submission of Individual Critique Essay



Assessment & Grading Scale

  Group Research Project  = 50%

  90 - 100 = A range  (90-94 = A-)

  Individual Critique Essay = 20%

  80 - 89 = B range  (80-83 = B-  /  87-89 = B+)

  Journal submissions  =  20%  (10 x 2% each)

  70 - 79 = C range  (70-73 = C-  /  77-79 = C+)

  Discussion/Participation  in Class = 10%

  60 - 69 = D range  (60-63 = D-  /  67-69 = D+)

 

  0 - 59 = F

 

Individual Critique Essay

In consultation with the instructor, students are to select a topic or theme for development into an individual critique essay. The essay should run ~2000-2400 words (~6-8 pages), and focus on one or two strands of thought (such as math and art, or intelligence and spontaneous organization, or AI and entropy) covered during the term. The paper can be submitted at any time for marking, but must be submitted no later than the final exam period on Tuesday, May 1st. Early submission is encouraged and bonus points will be awarded: if submitted no later than the beginning of class on Tuesday, Apr 24th, the essay will earn 5% bonus points; if submitted no later than the beginning of class on Mar 27th, the essay will earn 10% bonus points.

Group Research Project

In consultation with the instructor, students are to select a topic or theme for development into a major project (content marked at 40%) for presentation (marked at 10%) to the class during one of the concluding weeks (Apr 17th and 24th), as noted in the syllabus. Topics can range across a wide spectrum of course concerns, but the final product must grapple with at least one empirical (data-rich) module and one theoretical (modeling) module in developing answers to key questions raised in the project's investigations. Groups comprise two to three students whose work will be graded as a whole, each student sharing the same content grade for a single, end product. (N.B. To earn the group’s presentation percentage, a group member must attend the presentation session, irrespective of role in presentation.)

One hardcopy or digital version of the final project-cum-presentation should be handed/emailed to the instructor at/before the beginning the evening of the scheduled presentation. Late submissions will not be accepted.

Assignment to one evening for presentation of project will be done first by calling for volunteers, then by lottery. It is initially assumed there will be the need for at least two presentations each of the two evenings set in the syllabus.

Individual projects will be considered under appropriate circumstances, but group work is most strongly encouraged.

 

Journal Submissions

Students should begin compiling an electronic journal related to this class. This means that one should be journaling (that is, preparing substantive written entries in some digital format that can be transmitted to the instructor via email) each designated week, irrespective of whether the student actually attended that week’s session.

 

A substantive entry is ~200 words (minimum, lengthier entries are welcome) summarizing and reacting to some key points from a particular week’s readings and class discussions, perhaps relating to some real world case or event, some recently read piece of academic literature, or simply related ideas provoked by life. These entries can form a series of reflections, so linking entries along the way one to another like an intellectual diary, or can be independent musings week-by-week.

To be considered timely, any entry should be received in the instructor’s email inbox (dskubik@calbaptist.edu) either as plain text within the body of the email or as a Word attachment) no earlier than Tuesday at 9:30pm (end of class) and no later than midnight of the subsequent Sunday of each class session for which credit is sought. Thus, for example, a journal entry for Week 2—when we meet on Tuesday, January 23rd—is due no earlier than the end of that class period and no later than midnight Sunday, Jan 28th). Entries for any week that are received before the class actually ends or after that Sunday deadline will be accepted as part of the overall journaling project, but will not be marked and counted towards your final grade.

 

Discussion/Participation

Although speaking in class, publicly putting and defending a position, can be daunting, you are strongly encouraged to learn to think through your own and others' experiences and insights within the context of our discussions. In short, you are encouraged to demonstrate your internalization of our material for application in the real world. In this context, you are not being evaluated for reaching “right” conclusions, but for demonstrating your facility in forming arguments for any conclusions put, given the material we will cover in class.

To give direct incentive to so engage, 10% of your mark for the course will be comprised of our assessment of your classroom participation during the semester.

 

CBU Statement on Academic Dishonesty

Faculty in the College of Arts & Sciences (CAS) have been asked to include the following statement in all our syllabi. Do speak with your instructor if at any time you have questions or concerns about this statement and its meaning for or application in your classes.

Academic dishonesty (cheating, plagiarism, copying, and other forms) will be reported to the Dean of Students. Judicial sanctions for offense [sic] are handled on a case-by-case basis depending on the seriousness of the violation, prior violations and other factors. Judicial sanctions may include, but are not limited to, loss of a letter grade or failure in the course in which the offense occurred, suspension, and/or dismissal from the University. A detailed discussion of academic dishonesty is located in the Student Handbook.

[Source: 2006-2007 Undergraduate Catalog, at p.80]

 

Caveat

This syllabus is composed in good faith, with a schedule of readings, assignments and discussions which will guide us throughout the term. Still, the instructor reserves the right to make adjustments to this schedule as deemed necessary for the overall enterprise of the seminar. Any changes will be communicated as far in advance as feasible, and you are responsible for knowing if and when any changes have been made.